Journal · Guide

How to photograph clothes for your online store

Flat-lay, on white, ghost mannequin or on a model: what each way shows, what studios charge for it, and where AI fits in.

By VeyraGen editors · 23 October 2026 · 6 min read · Lees in het Nederlands

Elena in a silk shirt, wide flannel trousers and suede boots, with a leather tote, in a light concept store

Look 16 · Elena · Concept store · Generated with VeyraGen · fictional collection, not for sale

Customers cannot touch your clothes. Whatever they know about the fabric, the colour and the fit, they take from your photos. There are four common ways to photograph clothing for an online store: laid flat, standing free on white, on an invisible mannequin, and on a model. Each shows something different and costs something different. This guide puts them side by side, with the prices studios ask for them today.

Laid flat: the flat-lay

In a flat-lay the piece lies flat on a plain surface and you shoot straight down. It is the cheapest way and you can do it yourself: a table or the floor, a large window and a phone are enough. A flat-lay shows colour, fabric and details well. What it does not show is how the piece falls on a body.

Studios charge roughly €10 to €30 per photo for a flat-lay, excluding VAT. Dutch studio Easyshoots asks €18 per photo for tight styling and €20 for loose, flowing styling.

An ecru cable-knit fisherman sweater laid flat on a light grey background

Flat-lay from above: KN01 Fisherman sweater. Example from Collection 01, made with an AI image model.

How to make a good flat-lay, with background, light and white balance, is in our guide How to photograph a flat-lay that AI understands.

Standing free on white: the packshot

On white, the piece stands free from the front against a white background, often on a hanger or a stand that is removed afterwards. It looks calm and fits any product page. Many stores already have this photo, because suppliers send it along. For a piece with volume, such as a coat, on white often works better than flat.

A camel herringbone coat with a belt, from the front on a white background

On white: OW01 Herringbone coat. Example from Collection 01, made with an AI image model.

On a mannequin: visible or invisible

On a mannequin a piece gets volume. You see the shape of the shoulders, how a coat closes and how long it is. There are two ways. You leave the mannequin in the picture: quick, and it suits a calm store. Or you remove it in post-production: ghost mannequin, the invisible mannequin. A retoucher then often adds a second photo of the inside of the collar, so the piece keeps its shape as if someone were wearing it, with no one in it. It takes more work than a flat-lay: two photos and retouching per piece.

Studios ask roughly €15 to €40 per photo for ghost mannequin. Easyshoots charges €17.50 per photo on a mannequin when you order two or more photos per piece, and €19.50 for one. When a mannequin works better and when a model does is in Ghost mannequin or on-model photos.

Photographing clothes on a mannequin

Photographing clothes on a mannequin yourself works best with a fixed setup. This is how:

  • A mannequin in your collection's size. If a piece is too loose, take it in at the back with pins or clips, out of frame. Fill out a limp piece with tissue paper.
  • Steam first. A crease shows more on a mannequin than on a flat-lay, because the light skims across it.
  • The camera straight in front of the piece, at chest height. From above a piece looks shorter, from below longer.
  • Keep your distance and zoom in. Stand a few metres back and zoom in, or use your phone's 2× lens. Close up with a wide angle, the shoulders look broader than they are.
  • Front, back and side, always from the same spot. Mark with tape on the floor where the mannequin and the tripod stand. Then every piece in your store is the same size and height.
  • For ghost mannequin, the inside too. Many mannequins have a removable neck. After the front, photograph the inside of the collar with the label, on the mannequin or flat. In post-production that photo goes into the neck.

Light and background are the same as for a flat-lay: soft light, a plain background and a fixed white balance.

On a model

On a model you see what the other ways do not show: how a piece falls, how long it is on a body, and how to wear it with other things. It adds mood, and it is the picture that works best on social media. It is also by far the most expensive. A studio shoot with a model costs roughly €600 to €1,200 per half day, before the model's fee. A lookbook or campaign day, with model and styling, comes to €1,500 to €5,000. What a clothing photographer charges per photo and per shoot, and what comes on top, is in How much does clothing photography cost?

Pieter in an ecru fisherman sweater and dark jeans on a hill in the Scottish Highlands, under an overcast sky

On model: Look 04 · Pieter · Scottish Highlands, overcast · Generated with VeyraGen · fictional collection, not for sale

Shooting it yourself: the basics

Whichever way you choose, the same four things make the difference.

  • A plain surface. White, light grey or a neutral stone. No wood grain, no tiles.
  • Soft light. A large window on an overcast day, or two lamps through a diffuser. No flash.
  • Fixed white balance. Otherwise ecru turns yellow or grey, and the colour no longer matches what the customer receives.
  • The whole piece in frame. Smooth, straight, with buttons and zips closed the way it is worn.

A recent phone is more than enough. A blurred photo is worse than a simple camera.

Which photos a piece of clothing needs in your store, what you need to make them yourself and when a studio is worth it, is in Product photography for clothing: yourself, a studio or AI.

You usually have a flat-lay or a photo on white already. A photo on a model is where the money and the time go.

Where AI fits in

A photo on a model no longer has to start with a model. With AI you make it from the flat-lay or the photo on white you already have: the same piece, on a model and in a scene you choose. You choose the model, the pose and the place, and you can show the same piece on more models without a new shoot. How that works step by step is in From flat-lay to on-model photo with AI.

Two things still matter. The product photo has to be good, because whatever is not in it, the AI model has to fill in itself. And you check that the piece on the model is the same as in your collection: colour, fabric and details.

Which one should you choose?

  • For every product page: a flat-lay or a photo on white as the base. Cheap, and it is also what AI needs.
  • For coats, jackets and pieces with shape: ghost mannequin or on a model, so the customer sees the shape.
  • For mood, social media and campaigns: on a model.

Want to see what your own piece does on a model? With 25 free credits you make your first images, without a subscription. What an image costs after that is on the pricing page.


Sources for the prices, excluding VAT, checked on 23 October and again on 6 November 2026: Easyshoots, clothing photography rates; Viralistic, Kledingfotografie (30 July 2026), indicative rates for flat-lay, ghost mannequin, studio with model and lookbook day. Both are Dutch studios and guides; prices elsewhere differ.

Try it with your own product.

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